Some films are built around big events, while others find their story in the small changes that quietly reshape a life. Anna Foglietta's A Common Story belongs to the latter. It is the kind of film that doesn't need much to create an emotional weight. A house, two people, a few silences, and the feeling that something in their lives has quietly shifted. Foglietta takes this very ordinary situation and turns it into a tender, intimate portrait of a relationship that has spent years becoming familiar to itself.

At the centre of the film are Erika and Mauro, a long-married couple who suddenly find themselves having to look at each other differently. With their daughter away from home, the routines that once held their family life together begin to fall away, leaving the two of them alone with each other. And that is where the film becomes most interesting. What happens when two people who have shared a life for so long are suddenly left without the distractions of everyday family life?

Foglietta doesn't treat Erika and Mauro as a couple that is simply happy or unhappy. Their relationship feels much more complicated than that. There is affection, irritation, tenderness, distance and familiarity all existing at the same time. They know each other extremely well, yet there are clearly parts of each other they still struggle to understand. Sometimes they seem completely comfortable together; at other moments, the silence between them feels almost impossible to cross.

A woman and a man hold each other in a tiled kitchen, pans and utensils hanging on the wall behind them
A Common Story © Venice Film Festival

That complexity is what makes their chemistry so beautiful. Alba Rohrwacher and Guido Caprino never make Erika and Mauro feel like two actors playing a married couple. They feel like two people who have genuinely spent years together. There is a physical familiarity between them, in the way they sit together, look at each other, move around the same space. Even their disagreements have the feeling of something that has happened before, something shaped by years of knowing exactly how the other person reacts.

And both performances are wonderful. Rohrwacher gives Erika an emotional openness that she rarely expresses directly. Much of what she feels remains underneath the surface, visible in her face and in the smallest changes in her behaviour. Caprino's Mauro is more contained, but there is a similar sense of emotion beneath his restraint. Watching them together is often more revealing than listening to them speak.

One of the film's most beautiful ideas is the way their home changes with them. The emptiness of the house is not simply there to remind us that someone is missing. It becomes a reflection of Erika and Mauro themselves. The rooms that once felt ordinary now seem strangely exposed. There is nowhere for either of them to hide behind routine. The house becomes quieter, and that quietness brings their relationship into sharper focus. I found this aspect of the film genuinely poetic. Foglietta understands that an empty room can sometimes say more than dialogue. A familiar table, a hallway, a bedroom, a space that has suddenly lost its usual presence, all of these things acquire a different emotional meaning. The house almost feels like it is observing Erika and Mauro as they try to figure out what their life together looks like now.

The film's colours and lighting add another layer to this feeling. There is a softness to the images, but also a subtle melancholy running through them. The warmth of the interiors never completely removes the sense of loneliness. Instead, the two moods exist together, much like Erika and Mauro's relationship itself. There is still love and familiarity between them, but there is also a distance that neither of them can simply wish away.

What makes A Common Story affecting is precisely this attention to the everyday. Erika and Mauro aren't presented as extraordinary people living an extraordinary life. They are simply two people who have been together for a long time and are now being forced to reconsider the shape of that togetherness. There is something deeply recognisable in that.

Quiet, beautifully acted and visually sensitive, A Common Story is a film that finds its strongest emotions in silence. The chemistry between Alba Rohrwacher and Guido Caprino is its heart, while Foglietta's use of space, colour and light gives their relationship an almost tangible atmosphere. A simple story, perhaps, but told with a great deal of feeling.